Audacious Chris Jojo Pioneers Boundaries in Motor Racing Sound Technology, Utilizing DPA Microphones
Sound Designer Chris Jojo Captures the Heart of Racing Audio
Sound Designer Chris Jojo specializes in creating visceral, true-to-life racing audio for video games, films, and simulators. His work captures every detail of a car's sound, from engine to exhaust, to create an immersive and realistic experience.
Jojo's tool of choice is DPA Microphones, a brand he finds unbeatable for motorsport audio. He uses a strategic multi-microphone setup, employing various DPA models like the 4007 Omnidirectional Pencil Microphones, 4011 Cardioid Microphones, and 4062 Omnidirectional Lavalier Microphones.
The 4007 microphones are positioned off-axis on the exhaust to avoid distortion and allow the sound to breathe. The 4011 microphones capture directional detail from specific engine parts, while the 4062 microphones are used inside transmission tunnels and other confined spaces to get close to the sound source.
Jojo carefully calculates each microphone placement to minimize bodywork reflections and maximize sound fidelity while maintaining safety during high-speed recordings. This approach allows him to isolate and reproduce the complex layers of automotive sound with astonishing clarity and precision.
Recently, Jojo recorded audio from a Ford RS 200 Group B rally car at BGM Motorsport and Millbrook Proving Ground's Mile Straight circuit. He also works on special projects, such as a unique F1 sound design session.
DPA microphones' ruggedness, sensitivity, and tonal accuracy are essential for Jojo's work. He aims to capture not just the sound of the impact but also the room, reflections, and the whole story to make it feel real.
Jojo's work brings players closer to the racing experience than ever before. With his expertise and DPA microphones, players can feel the roar that makes their palms sweat on a digital steering wheel.
- Chris Jojo relies on DPA Microphones, a brand he finds exceptional for motorsport audio, to capture every detail of a car's sound for his sound design work.
- In the recording process, Jojo employs multiple DPA Microphone models, including 4007 Omnidirectional Pencil Microphones, 4011 Cardioid Microphones, and 4062 Omnidirectional Lavalier Microphones.
- Jojo strategically places microphones, such as positioning the 4007 microphones off-axis on the exhaust, to avoid distortion and ensure a clear, accurate audio recording.
- Utilizing DPA microphones and his expertise, Sound Designer Chris Jojo aims to create an immersive and realistic experience for players, allowing them to feel the roar of a car as if they were driving it themselves.
